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Training/Dictation: Displacement 2.0 (work in progress)
In Training, I become a transducer for Hollywood archival footsteps,
a hybrid of myself and various disembodied cinematic stereotypes.
In the Dictation series, I try to become the footstep-doppelganger of various
colleagues by walking to sound recordings of their walks. I don't look at or
listen to the recordings ahead of time; but try in the moment to be an avatar
directed by another's sound.
All videos below are excerpts from 10 minute videos. I have made
about 30 to date, varying sounds, partners, and locations.
(You'll need the Quicktime 7 player/plug-in windows or mac).
Videos may need to fully or partially download before sound and image sync up.
Training
1
Training
2
Training
3
Training
4
Training
5
Training
6
Dictation
4
with Veronika Bauer
Dictation
6
with Nico Herbst
Dictation
7
with Nico Herbst's Sound only
Dictation
8
with Kate Wall at the beach
Technology increasingly splices disparate effects and minders into our lives, targeting a body’s various intake channels for a range of satisfactions. People walk the city paced by individual soundtracks shuffled from commercially produced material, making lives more hip, more metered, more efficient. Our paces are set by virtual rhythms and tracking systems we happily subscribe to. What new forms of bodily targeting and splicing will be effected as our environments gain intelligence? Your footsteps might be swapped out for a gait and pace meant to adjust your mood or style. You might walk in the steps of your idol of the moment - coming closer bodily to the one you wish you could be. You might download tracks to help you learn the productive movement rhythms of successful figures in your field. Your body gives way, disappears, as you puppet the moves deemed more desirable. Visitors to a mall might be subtly induced to slow down as they pass by consumables, by a beat altered to repeat just a hair slower than their natural rhythms. (Musak has of course spent years researching and producing the perfect 8-hour shifts in musical speed to produce a more profitable work/consumer force.) But how much better it could be done if gait could be tracked and responded to on the fly!
On the other hand, there is a possibility for a new kind of attunement here. We generally "read" and empathize with others we encounter through language (written and spoken), image, and external observations of physical gestures and qualities. What might we understand of someone through a more direct alignment/attunement with this person's physical state - what if we could inhabit some unique aspect of their bodily rhyhtms? Will understanding be achieved, or is this just another high-tech way to consume others?
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